1997
February 6
1997
February 6
Light, Sky, Color, Details, Freedom
My Workspace
In my paintings, I explore nature not simply as a landscape, but as a space through which light, movement, silence, and emotion can be experienced. Water and its flow are recurring elements in my work, symbolizing change, continuity, and freedom.
Mohaddeseh Abedi Doost
Through thick layers of paint, expressive brushstrokes, and textures created with palette knives and brushes, I seek to convey a sensory and personal interpretation of nature rather than a precise representation of it. In this process, color and texture play an essential role in shaping the atmosphere of each work, often blurring the boundaries between reality and abstraction.
My color palette is primarily composed of shades of green, blue, grey, and white. These colors evoke nature and tranquility for me, while also expressing a sense of strength and movement. Light emerges through these tones, guiding the viewer’s eye across the painting and through its visual space.
My intention is for the viewer to encounter more than simply a landscape. I hope the work invites them to pause, to sense the presence of nature, and to connect with the emotional atmosphere within the painting.
For me, painting is a way of capturing an emotion—something that may not always be possible to express through words.
My paintings emerge through accumulation and transformation. Forms gather, dissolve, and reappear; colours collide and recede; surfaces shift between density and openness. At times, the works suggest petals, foliage, water, earth, or organic growth, yet they resist fixed representation.9-
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Articles
I am less interested in describing a particular place than in giving form to what persists after experiencing it: fragments of sensation, atmosphere, movement, and memory. As an Iranian artist based in the UK, I am conscious of the ways memory and perception are shaped by movement between places, environments, and cultural contexts. Nature becomes, for me, both an immediate physical encounter and an internal space: something experienced in the present, yet layered with recollection, distance, and belonging.
Through painting, I seek a visual language for experiences that are difficult to articulate in words. Each work becomes a site where external landscape and internal memory meet, not as a record of nature, but as a translation of what nature leaves behind.
